Autorretrato is a self-portrait that resists visibility. In a world obsessed with exposure, the work imagines the opposite dream: five minutes of anonymity as the new goal. It plays with the paradox of self-representation in the digital age—where to exist is to be watched, and to vanish, even for a moment, becomes a radical act. This piece reflects on presence, disappearance, and the quiet power of stepping out of the frame.
The project inverts the myth of “fifteen minutes of fame” and turns it into a meditation on attention fatigue. Each image asks: what happens when we stop performing for the feed? Autorretrato becomes a portrait of the invisible self—the one that escapes the algorithm’s gaze.
Using photography, digital collage, and print, the work constructs a self that flickers between presence and erasure. The portrait dissolves, glitches, and reforms, echoing the rhythm of online attention spans. Each version is both evidence and disappearance.
The series proposes that anonymity is no longer a loss, but a luxury. To disappear becomes a gesture of resistance, a way of reclaiming silence in a hyper-connected world. Autorretrato is not about who I am—it’s about who I am when no one is looking.